Q1：您認為普通人如何從藝術的代幣化中受益？

A1：

Q2：

A2：

我們現(xiàn)在正在使用真實世界資產(chǎn) (RWA) 來強化收藏品。

我們相信，這應該會重新獲得 NFT 的信任，并在 Web 3.0 先驅的幫助下得到廣泛應用。

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問題 3：

A3: Somewhat paradoxically, buying original paintings on the traditional market is definitely not safer or easier. Do you know art dealers and experts who can confirm to you the authenticity of a painting? Are you willing to wade through hundreds of willing bidders for a major auction and overpay many times over for an authentic painting? Let’s assume that the answers to these questions made you chuckle and that these procedures are not particularly difficult. Well, how will you transport the painting to the venue, especially if it’s located in another jurisdiction? Have you thought about insurance and storage arrangements for the painting? And even if you’re not confused by these questions either, think about how long it will take you to become a collector.

Q4: For someone who has purchased an NFT from 10101.art, what are some common approaches to managing and engaging with their ownership?

A4: Our pieces are not a short-term speculative tool. If you want to make money within a couple of days, you definitely should not buy a piece of a painting or a whole painting. No matter whether it’s online or offline. At the same time, we are not ruling out that you will need to sell a piece of your painting later on. For this purpose, we are working on the launch of a secondary market for the realization of pieces of paintings. It will soon be available on our website.

Q5: What unique value do you offer that’s different from your competitors?

A5: Most direct competitors see their future in the best representatives of contemporary art. We also prefer the best, only deceased artists. They cost more, and their work is sure to remain limited edition. Despite this, we do not concentrate on one particular current. On 10101.art you can find works from cubism and surrealism to pop and street art. It is the variety of works, their proven authenticity, achieved by our own network of curators and dealers, as well as real assets stored in a partner gallery that distinguish us from our Web 3.0 competitors.

But the key detail is that at the moment the main goal is to win the competition with indirect competitors. These are the big traditional art market players such as Christie’s, Sotheby’s, MacDougall’s and Bonhams. While we are still playing in the Web 3.0 sandbox, they are the ones who own the absolute share of the art market. The tool that can help us in this is the speed and flexibility of Web 3.0 technologies and projects. When high-tech companies, such as Siemens, realize how important even a minimal advantage over competitors is and invest in RWA without giving space to smaller players, then the traditional players of the art market can give us a chance. And we will definitely take it.

Q6: What are the project’s goals and plans for the near future?

A6：

團隊

如果沒有人去實施，一個想法就毫無價值。

這就是為什么我們花了很長時間來為團隊中的每個職位選擇人員。

我們特別注重軟技能，團隊中的每個人都分享項目的愿景和價值觀非常重要。

我們可以教授個人技能，但幾乎不可能向一個發(fā)達的人傳授對藝術的欣賞或批判性思考的能力。

有目的、合理使用財政資源

盡管我們已經(jīng)進行了大量投資，但我們正在與擁有數(shù)十億資源的傳統(tǒng)參與者競爭。

在這場比賽中，重要的是要認識到這是一場馬拉松，而不是短跑。

這就是為什么我們理性地使用資金并清楚地了解我們的燒錢率。

擴大收藏范圍

我們的發(fā)展主要是通過擴大頂級藝術家的繪畫收藏、擁有自己的藝術網(wǎng)絡以及盡最大努力為我們的收藏尋找新的瑰寶來實現(xiàn)的。

到目前為止，其中包括班克斯的《地盤戰(zhàn)爭》、沃霍爾的《坎貝爾湯罐》以及即將公布的畢加索和達利的兩幅畫作。

首次用戶留存率

最近幾個月，我們首次成功銷售了 100 幅班克斯的《地盤戰(zhàn)爭》畫作，并從我們現(xiàn)有的社區(qū)中吸引了第一批買家。

我們相信他們將成為我們項目的傳播者，我們會盡力不讓他們失望。

畢竟，你們，Web 3.0 的先驅，將能夠比其他任何人更好地將我們的想法帶給大眾。

開設新畫廊

我們的主要優(yōu)勢是我們自己的合作畫廊。

主要任務是增加收藏家可以接觸其作品的物理空間的數(shù)量。

其中第一個，Monada Art，將于4月16日正式開幕。在這個開幕式上，你可以親自探索作品并與團隊見面，也可以向我詢問我在這里沒有回答的問題。

熱點：代幣 AR 伯特 創(chuàng)始人 市場